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WHAT WHAT

Kollaps (au), Cooperfrau Melissengeist

post industrial | experimental | harsh noise | neofolk

Equally as revered as they are an anathema to audiences worldwide, the oppressive noise wall crafted by Kollaps has cemented the band in the history pages of industrial music. Kollaps' live shows are known for their vehement and visceral nature where their destructivist ideology manifests into self-mutilation, vitriolic, and violent live performances.

Cooperfrau Melissengeist bewegt sich mit ihren Performances oft auf dünnem Eis und bekommt im Anschluss manchmal auch eins in die Fresse. Im Zentrum steht häufig die Kritik des Digitalen mit den Mitteln des Analogen; manchmal auch genau andersherum.

Einlass 19:30 | Konzerte 20:30

Vorverkauf: 12 (+ Gebühren + 1 fair-tix.de)
Abendkasse: 16
Ermäßigter Eintritt an der Abendkasse für Schüler*innen, Student*innen, Sozialhilfeempfänger*innen: 12

Tickets:
https://www.tixforgigs.com/de-DE/Event/51953
https://www.ticketmaster.de/event/525529

Das Konzert wird unterstützt vom Verband für aktuelle Musik Hamburg und der Behörde für Kultur und Medien Hamburg.


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Equally as revered as they are an anathema to audiences worldwide, the oppressive noise wall crafted by Kollaps has cemented the band in the history pages of industrial music. Kollaps' live shows are known for their vehement and visceral nature where their destructivist ideology manifests into self-mutilation, vitriolic, and violent live performances.

Until The Day I Die is Kollaps’ third LP for Cold Spring Records. The record, set for release in June 2022, is merciless and visceral assault on the senses and continues the trajectory of the band’s idiosyncratic approach in their creation of sound. Until The Day I Die is an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; violence, romanticism, sexuality, and addiction. Much of the creation and lyrical conceptualisation of the record has been stylised and presented by the use of William S. Burroughs’ cut-up method.

A wide variety of metals and raw materials were used in the creation of the album including metal grates, a rusted hoist, cement cylinders, field recordings, hammering of various decrepit objects, broken amplifiers, an exposed reverb tank, various synthesizers, and the infamous metal coil; a crudely self-constructed artifice that has become iconic in its use across Kollaps’ triptych of releases and lengthy touring history in Europe, Australia and New Zealand.

https://kollaps-noise.bandcamp.com/
https://www.instagram.com/kollapsmusic/
https://www.facebook.com/Kollapsmusic
https://www.youtube.com/channel/UCLn_pX91boQTDuf9Qz4dI_g

https://disciplinemag.com/interviews/kollaps-interview-life-love-drugs-and-noise/

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Cooperfrau Melissengeist bewegt sich mit ihren Performances oft auf dünnem Eis und bekommt im Anschluss manchmal auch eins in die Fresse. Im Zentrum steht häufig die Kritik des Digitalen mit den Mitteln des Analogen; manchmal auch genau andersherum.

https://www.instagram.com/cooperfrau.melissengeist/
https://cooperfraumelissengeist.bandcamp.com/

Einlass: 11:30 Uhr

WHERE WHERE

Kirchenpauerkai 29 20457 Hamburg

WHEN WHEN

Anyone can use the "Add event" option
Source: hamburg.de
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